STUDIO VISIT MAGAZINE
on news stands September 15, 2010

Candy Nartonis’ appeared in an upcoming edition of Studio Visit Magazine. Nartonis was one of 300 selected from artists in all US regions and all mediums by Juror Dina Deitsch, Assistant Curator of Contemporary Art, deCordova Sculpture Park + Museum.

JOHN HANCOCK TOWER
Blue Glass Cafe
Nartonis Installation
Reflections
41 panels with plaster, pigment, wax
2010

Blue Glass Cafe opens August 23, 2010. The featured artwork is an installation by Candy Nartonis which includes 41 panels on a 20 x 33 foot wall. The work is permanent.

Pattern and Repetition
Diane Ayott • Kristina Bell DiTullo • Candy Nartonis • Sarah Sutro
September 1–30, 2010
Reception: Tuesday, September 7, 5:00– 6:30 p.m.
617-521-2268
www.simmons.edu/trustman
M–F 10–4:30; Closed September 6
Michele Cohen, Director
I
f you prefer paperless announcements about upcoming gallery events, please contact
trustmangallery@simmons.edu with Gallery Events in subject line.
images on front, clockwise from top left (all are details):
Diane Ayott,
Floater, acrylic on panel, 12 x 12 in., 2008; Sarah Sutro, Molecular Music #6, natural color on
paper, 31 x 22 in., 2009; Candy Nartonis,
Repeat Performance, plaster, pigment, wax on panels, size variable,
2010; Kristina Bell DiTullo,
Bandages, Pattern 1: CVS, sheer adhesive bandages on paper , 37 x 29 ¡/™ in., 2008

Candy Nartonis
Repeat Performance
13 x 24 ½ feet
Plaster, wax and pigment on wood
An installation for Simmons College’s Trustman Gallery

Repeat Performance will be on site in the Trustman Gallery from September 1 through 30, 2010. This unique installation is part of Memory Blocks, a body of work by artist Candy Nartonis that references memories and locations by color and color memory. Made up of individual pieces, ranging from 5 x 5 x ¾ inches to 16 x 16 x 2 inches, the blocks are mounted specifically for each site. The artist utilizes repetition and color shifts to represent the mood and sensation of being in specific situations. Though the original source of the inspiration remains with the artist, each installation is meant to generate memory and longing in the viewer.

Nartonis’ Memory Blocks are in numerous public and private collections. In Boston, they can be seen at the John Hancock Tower’s Blue Glass Café on Stuart Street, where they are mounted on a 20 x 33 foot wall. They are also in the art collections of the Liberty Hotel and Berkshire Partners.

For more information please contact The Trustman Art Gallery, 300 The Fenway, Boston, MA 02115. trustmangallery@simmons.edu